One false move coben review8/12/2023 ![]() Again, even if they’re not used to analyzing the cinematic language, they do. Because the audience will start to overanalyze it. I think whether they’re aware of it or not, because we constantly present certain clues of what’s happening internally with the characters, you quickly realize you can’t have a meandering shot. “ There was nothing to hide behind,” Allen elaborates. How you keep everyone’s attention during the film becomes really important.” How you light everything becomes really important. But then, when it comes to it, it just puts so much more emphasis, like you said, on everything else, and everything else becomes really important, and every little detail in the house becomes really important. Everyone being together in the same place every day, really familiar with it, and you can pick up where you left off it is great for a shooting schedule and awesome. And it’s one of those things that, sure, having a single location and two characters practically and for a shooting schedule does help, and it’s great. It’s a nice simple thing to do for a first feature.’ That is just so wrong. Two characters in one location for the film’s entire runtime leaves nowhere to hide every element is essential, from lighting to staging to acting and everything in between.īell said of the challenges, “ The hilarious thing about this whole process is that you think, ‘Oh, one location, two characters is simplifying filmmaking. There’s a deceptiveness to the simplicity of You’ll Never Find Me. When you encounter those people, you go, ‘Oh, that’s a side of Australia that I don’t think we present very much in films.'” Because we are such a large country with such a small population, it creates these pockets of little towns and lots of very isolated people, and people who perhaps are isolated for a reason or want to be isolated. But at the same time, Australia is a really interesting place, and it has a lot of weird and interesting people who live there. Which is great we love gorgeous, buff, tanned Australian men. It’s the guy with the ute and the dog, and he’s gorgeous, and he’s buff, and he’s tanned, and all that stuff. The filmmakers spoke with Bloody Disgusting at Tribeca, discussing their debut’s origins and horror influences.īell wanted to subvert the conventional depiction of Australians in her debut feature: “We have a traditional style of film that comes out of Australia that portrays Australians in, often it’s a very positive light. Bell and Allen use the familiar setting to introduce a grim, contemporary horror story. You’ll Never Find Me employs a classic horror setup – a raging storm traps two strangers alone at a remote location in the dark. Jordan Cowan and Brendan Rock star in the intimate horror feature penned by Bell. As the savage storm worsens, these solitary souls begin to feel threatened- but who should really be afraid?” In the film, “An isolated man living in the back of a desolate caravan park is visited by a desperate young woman seeking shelter from a violent storm. combines Chandler's wry wit with Ross Macdonald's moral complexity.Claustrophobic chamber piece You’ll Never Find Me, the feature directorial debut by Indianna Bell and Josiah Allen, just debuted at the Tribeca Film Festival, where it introduced a haunting new entry in Australian horror. Parker, Sue Grafton and Robert Crais.” - Houston Chronicle ![]() Coben moves himself into the front ranks of mystery fiction alongside heavy hitters like Robert B. ![]() “Fast-moving, funny-an altogether good read!” - Los Angeles Times Between them is a chasm of corruption and lies, a vicious young mafioso on the make, and one secret that some people are dying to keep-and others are killing to protect. But between them isn't just the difference in their backgrounds or the color of their skin. A big-time New York sports agent with a foundering love life, Myron has a professional interest in Brenda. And just as Brenda is making it to the top of the women's pro basketball world, her father disappears too. Twenty years before, Brenda's mother deserted her. And he's about to find out if he's man enough to unravel the tragic riddle of her life. But Myron has agreed to protect the bright, strong, beautiful basketball star. Now Myron's next move may be his last.īrenda Slaughter is no damsel in distress. But sports agent Myron Bolitar has come into her life-big time. ![]() She's smart, beautiful, and she doesn't need a man to look after her. ![]()
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